Special Conversation Archives | Postcards Magazine https://postcardslive.com/category/features/special-conversation/ Your Community Magazine Mon, 29 Apr 2024 15:30:12 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.2 https://postcardslive.com/wp-content/uploads/2021/02/elementor/thumbs/Small-Postcards-Icon-pwcd14q9skiy4qtyj2ge060jndsbpb4xg4svtmtra0.jpg Special Conversation Archives | Postcards Magazine https://postcardslive.com/category/features/special-conversation/ 32 32 Jonathan Michael Fleming https://postcardslive.com/jonathan-michael-fleming/?utm_source=rss&utm_medium=rss&utm_campaign=jonathan-michael-fleming Mon, 29 Apr 2024 14:59:50 +0000 https://postcardslive.com/?p=31837 This young Texas soldier marches to a different…but very familiar…beat. “Cadence,” in military contexts, refers to the rhythmic chants sung by soldiers in marching formation. These chants help keep marchers in […]

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Jonathan Michael Fleming

jonathan michael fleming

This young Texas soldier marches to a different…but very familiar…beat.

“Cadence,” in military contexts, refers to the rhythmic chants sung by soldiers in marching formation. These chants help keep marchers in line with the rhythm of the march, and they are more than just words—they’re an essential part of military discipline and tradition.

Jonathan Fleming’s story just makes you go…“Wow.”  The seventh of nine children in his family, he lost his mom in a car accident when he was twelve.  With faith in God and the support of family and friends, that tragedy molded him, but did not come to define him.  He used it as motivation to finish home schooling at age 16 (with a dual credit equivalent of an associate’s degree).  He married at 18 and enlisted in the U.S. Army Reserves at 19.  Now 23, he has found his footing as a husband, father, soldier, musician…and a once-reluctant online influencer who has grown to use the platform to support, comfort, and motivate military members, veterans, and their families.  Postcards met with Jonathan at his studio in Humble, where he shared his story.

Where did the love of music come from?

My dad founded Heaven Sent Choirs in Houston and taught music there for 16 years, after which my sister took over the program.  Because he made training CDs for students, my dad had studio equipment.  By the time I was 12, I was going in and playing around with the equipment by myself (I don’t even know if my dad knew <laughs>).  I was a part of that program, and that’s where I met my wife when I was in junior high.

A little unusual that you got married first and then joined the Army…

The only military influence or history in my family was that my great-grandfather was in the Marines.  He definitely shared his experiences with me.

I was also born the year the war on terrorism started.  So, I grew up with a pull to those principles and values.  My wife was not a fan of the idea of me joining the military, so I had to work on her for quite a while.  Eventually, when I talked about entering the reserves and she saw the vision, what it could do for our family, and realized how important it was to me, she said, “Okay, I’ll buckle in.  Let’s do it.”

How did the connection of the military and your music come about?

After basic training, when I moved on to AIT (Advanced Individual Training– job school basically, and I am an engineer), I started calling cadence for our group. I started Googling cadences, because I was tired of the same five we were doing all the time.  I learned there are very few quality recordings.  I could find lyrics, but words don’t mean much without a tune.  We found an old cadence called “Down in the Battlefield.”  I used that tune, substituted Airborne “sapper” for “ranger” as a nod to my engineer group, and wrote additional lyrics for “Fallen Soldiers.”

A “sapper” is a soldier who performs a variety of military engineering duties–breaching fortifications, demolitions, bridge-building, laying or clearing minefields, preparing field defenses, and road and airfield construction and repair. The term sapper comes from the practice of digging “saps”, or trenches, to undermine the walls of fortifications.  

My buddies convinced my drill sergeant to let me call that cadence with the group, and she recorded it.  My brother-in-law eventually convinced me to post it online to TikTok in January of 2022.  I posted it, then deleted the app.  It wasn’t until about six months later I went on and saw it had gone viral.

I started doing more cadence recordings for fun, and it just blew up.  People started requesting them. By the beginning of 2023, I put out three cadence albums, and I have another album of 12 coming.

It was getting crazy trying to manage my regular job and the internet platform side of things. I worked for five years in construction in Porter and Spring and was an assistant project manager.  I made the hard decision to leave that and go into the music work full-time.  I had begun to realize I could use the platform to help non-profits and give back to the community that had given so much to me.

What’s so powerful and motivating about cadences?

They connect people from diverse backgrounds who come together and work together to overcome obstacles and achieve common goals—in not just the military, but police academies, fire academies, and other institutions.  They also provide a means of positive memory and connection for veterans and surviving family members.

How much work goes into recording a single project?

It varies, but a recent personal music project called “The Garage” was well over 100 hours of work.  There’s a lot, with writing, performing the music, video production, and editing.  There’s also separate optimizations and uploads for each online source, and backend work crediting those involved and registering the song.  It’s a lot more than people think when they see it on a TikTok.

What projects have been the most successful?

The biggest in terms of popularity, by far, is the cadence “I Left My Home.”  In fact, there’s a good chance that one ends up hitting gold status, which is incredible.

The work I’m most proud of is a song I wrote “Strength Like This.”  It’s about Samson, but the lyrics never say his name, so the creativity with the lyrics is really special to me.  In fact, it’s the reason I decided this January to separate my personal music projects from the military music ones with a separate account.  I began to realize that, unless they were military based, songs weren’t going to perform well on that main account.

Tell us about the non-profits you work with.

A big one is Tunnel to Towers Foundation.  They just opened Houston Veterans Village in Tomball.  They have taken in 150+ homeless veterans, with programs to help them find work and get them counseling and other resources they need.  It’s amazing people with this organization can get buy-in from veterans who have been living on the streets for sometimes 20+ years to come into this new home and trust the people and the programs.

U.S. VETS is another organization.  They are the ones providing the counseling services and working with the veterans in that home. I’m helping them with a 5k coming up and other projects as well.

What’s been encouraging about working with the veteran non-profits is they don’t see each other as competitors—they see each other as “on the same team.”

What’s ahead?

Cadences, Volume 4 on the military side, as well as a cadence project that will give a nod to Private Willie Lee Duckworth’s “Sound-Off” chant from 1944, which started the cadence tradition.

On the personal side, some additional video work for “The Garage,” which speaks to the struggle of a provider—so it has resonated with a lot of men, but also a lot of wives, moms, and single moms. It speaks to that moment when you get home, and you just want to sit in your car for a few extra minutes and decompress before you walk inside.

My wife and I wouldn’t be where we are today without a lot of people and a lot of support, and a lot of circumstances lining up. God definitely deserves the credit for the path, so we will keep trusting…and keep marching.

 

Check out Jonathan’s music through his website at jonathanmichaelfleming.com. Locate his main (military) account on social media under @jonathanmichaelfleming and his personal project account under @officialjonathanmusic.

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31837
Southern Raised https://postcardslive.com/31638-2/?utm_source=rss&utm_medium=rss&utm_campaign=31638-2 Sat, 30 Mar 2024 17:04:48 +0000 https://postcardslive.com/?p=31638 A family quartet of musicians and vocalists make their mark—in many different and multi-talented ways. How does one describe an unusually unique band such as Southern Raised in three words […]

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Southern Raised

Southern Raised

A family quartet of musicians and vocalists make their mark—in many different and multi-talented ways.

How does one describe an unusually unique band such as Southern Raised in three words or less? They probably don’t! That would be very difficult to do even in a full, single sentence.  You would have to encapsulate family relationships, vocal harmony, bluegrass, gospel, classical, Celtic, traditional, contemporary, eclectic, every band member playing multiple instruments, and LOTS of awards and nominations.  Perhaps this well-constructed single sentence from the band themselves is a good start:  

We are Southern Raised, a bluegrass band from the Ozark Mountains that has created a trademark sound where classical meets bluegrass and city streets meet country roads. 

Postcards visited recently with sibling band members Emily (Reith) Clayton and Matt Reith so we can share with readers more about the group ahead of their upcoming performance on May 10, 2024 at Old Town Theatre in Huntsville, Texas.

As a group, you have such a different style and sound combination. How did that happen?

Growing up, we didn’t have a lot of outside musical influences other than classical music.  I know that’s probably unusual for a group from the Ozarks.  Shortly before 2007, when the band started, we became interested in bluegrass. We saw bluegrass family groups at Silver Dollar City, near where we live, and just fell in love with that style of music; but our instrument learning and playing had already been steeped in classical, with orchestral-type experiences and lessons.  We started the band with bluegrass, and it was really several years before we did anything with classical music in the group.

How old were all of you when the band started?

We started as four siblings.  Lindsay was 20, Sarah was 18, Emily was 12, and Matt was 9.  Of course, we all started out learning to play instruments prior to that, and doing very local shows.  It wasn’t even really an “intentional” band start.  It kind of happened by accident.  We loved that bluegrass sound we heard, and we thought let’s just get some bluegrass instruments and play around.  Then our grandmother had us play for a senior function at her church.  It was just the three girls…Matt hadn’t begun guitar yet, so he wasn’t with us.  And we didn’t sing, because that’s NOT something we grew up doing <laughs>.  We did an hour of bluegrass instrumental tunes. Then we started getting requests to appear, and it just grew.  Looking back, for sure it was a God thing, because it wasn’t something we really “tried to do.”

Matt, who originally played only the cello, learned guitar in order to join the group.  He recalls his first appearance with the group was a few months later at an outdoor amphitheater.  He joined for one song, “Orange Blossom Special,” because that’s all he had learned at that point.

The group name is Southern Raised.  Where exactly were you raised?

We were all born in northwest Arkansas.  We have been here near Branson, Missouri for almost 20 years.  Sarah got married and left the group to settle down in late 2019.  She now lives in Kansas and has two daughters.  At that point, we added musician Alex Clayton into the group.  That developed into another family relationship when Alex and Emily got married!  So, now the group is three siblings and a spouse.

That’s interesting!  Tell more about this Alex connection.

We actually met through a promoter who connected us.  We didn’t know him at all before that.  He was working at a music shop in Springfield.  The three siblings did an interview with him in a small practice room at the shop.  Alex later shared that it felt more like an “interrogation.”  It’s quite a big deal when you try to replace a sibling in a sibling group.  I’m sure we were kind of overwhelming.  We did one show with him before Covid hit, so it was a really weird transition, as well.

Emily and Alex started dating in April 2020.  Like the beginning of the band, neither really saw that coming, and that also seemed like God gifted a real blessing into an otherwise hard transition and difficult situation.  The couple got engaged in September, married in March 2021, and now have a toddler son.

Describe yourselves.

Matt plays guitar, cello, and penny whistle.  He handles logistics and finances for the band, as well as giving input on creatives and arrangements.  He is also the newlywed of the group, having married in August 2023.  He enjoys mountain biking.

Emily plays violin, mandolin, and ukulele.  She works on creatives and arrangements.  She loves traveling, writing, and interior design.

Lindsay plays bass and is the emcee for the group.  She loves hiking and gardening.

Alex plays banjo, dobro, guitar, and bass.  He is laid back and quiet, and he enjoys cooking, traveling, target shooting, and exercising.

Where did the Celtic come in?

We have some Irish ancestry on our mother’s side, but that’s not really the source behind it.  We also really enjoy that style of music.  It’s a favorite for each of us, and we have found that it lends itself well to the bluegrass instruments.  That makes it fun!

You have some unusual choices for song selections.  When it comes to the creative side, how do you select?

We like choosing older songs that haven’t been revisited a lot.  They seem to go really well with our style of music, and we get a lot of comments from people whose memories are touched by them.  It’s a cool way to have a musical “connection” with folks.  We do try to read all the comments on YouTube as well, to see what people who are following us want to hear.  We have gone on a little run of doing some older classics recently, and we have found that people really love that and are kind of craving it.  It also translates well to stage, because a lot of the people who come to see us found us on YouTube.

What is something you want people to know about your group or your family?

Our ultimate goal, always, is to share the message of Jesus Christ—and the hope, and the love, and the acceptance we have in Him.

 

Check out the group at www.southernraisedband.com or give a listen on YouTube.  Don’t miss Southern Raised at the Old Town Theatre in Huntsville on May 10th.  Visit www.oldtowntheatre-huntsville.org to purchase tickets.

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Ryan Lindsay https://postcardslive.com/ryan-lindsay-2/?utm_source=rss&utm_medium=rss&utm_campaign=ryan-lindsay-2 Mon, 01 Jan 2024 16:16:00 +0000 https://postcardslive.com/?p=31070 All roads lead to Texas…even for a country music singer from Canada. Singer-songwriter Ryan Lindsay has two “happy places” – behind a microphone with his guitar and out in the […]

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Ryan Lindsey

Ryan Lindsay

All roads lead to Texas…even for a country music singer from Canada.

Singer-songwriter Ryan Lindsay has two “happy places” – behind a microphone with his guitar and out in the Canadian backcountry. He is a five-time Country Music Alberta award winner whose first career was working as an outdoor guide in the Canadian Rockies, where he’d run multi-day river trips helping people experience the great outdoors. At night, he’d sometimes play his guitar and sing around a campfire. It didn’t take him long to realize he had the talent to pursue music – and he had stories to tell.

This spring Lindsay made his way to Texas and shared songs from his new album, “Seasons,” a collection of music that provides an introspective look at the seasons of his life.

Lindsay shared with Postcards the concept behind the album, his influences in music, and what he loves most about touring in Texas.

The New Album

Tell us about your new album, “Seasons.” How did you come up with the concept of this album?

Back when 45s were common, artists used to press two songs into a record, and I’ve always liked that idea. I wanted to create a body of work, so the idea developed into releasing the music as I recorded it, two songs at a time over the course of a year. It’s like a collection of 45s that make one full album. So, we started with a two-song digital 45 called “Fall,” and released those songs on streaming, followed by “Winter,” “Spring,” and “Summer.” We then compiled them this year into a final album with a bonus track.

How important was this strategy?

Most artists are starting to market their music as a series of singles instead of albums these days. That’s just a result of people’s listening habits, but with this project, I still wanted to express the music through a body of work. This allowed me to stagger the releases and give people a little more than just a single each time new music dropped.

You’ve said this album allowed you to share the personal seasons of your life. Describe that journey with us.

Recording an album is always a journey – you go through different emotions throughout the year, and the music tends to change the further you get into the project. This album was a way to share that experience with my audience.

You released “Heart of a Troubadour” to radio in Texas, and it did well here and on streaming. Why do you think it resonated so well with listeners?

“Heart of a Troubadour” is a story about being young and a little bit naïve and growing up to recognize there is a lot more to life than you realize. There’s always more to learn, there’s always a little searching left to do. I guess I can’t speak for the listeners, but I think it’s something we all experience, and it was something that certainly resonated with me when I wrote the song.

“Rich Folks” was your most recent release. Talk about the light-hearted tone of the song and the story behind writing it.

This was such a fun song to have on an album that was otherwise quite reflective and at times got a little heavy. I felt like it was important to just cut a song for the joy of it – this song just came from that place. It’s been a great song for radio, and the story is simple – you don’t need money to have a rich experience in life!

Do you have a favorite song on the album? If so, why is it your top pick?

I love all the songs for different reasons, but if I had to pick one that defines the record, I would choose “Heart of a Troubadour.” I had just started playing harmonica at the time, and it’s fun to listen back on how it all came together. Val McCallum from Jackson Browne’s band played slide guitar on it, which gave it a little heartland rock flair. I think once we recorded that song, it set a new tone for the rest of the album.

How do you go about songwriting? Do you start with a melody or a lyric, or do they hit you all at once?

I use voice notes to take down melodic ideas or lyrical ideas – often the two together. I’ll use that as a starting point, and then sit down and work it out later. Every song gets worked out a little differently, and I kind of let the song guide the process.

Pursuing Music

Why did you decide to pursue a career in music?

I guess I reached a point in my life where I felt I had something to say. I started writing, and it just became my life. Music is that thing in my life that kept tugging at me, and I am so grateful for all the great experiences and friendships I’ve made doing this for a living.

How would you describe your style of music?

People have called it heartland country, and more recently, the “Seasons” album has fit into the Americana genre, but I just consider myself a country artist more than anything else.

Who are some of your favorite musicians who have inspired or influenced you in your career?

I have admired artists like Vince Gill, Alan Jackson, Blue Rodeo, and The Eagles. I grew up around that music.

Who are some of your favorite current artists?

I need to shout out some friends that are touring right now that you need to catch live – probably my favorite Texas-based band right now is The Wilder Blue, and a killer band from Winnipeg, Canada – The Bros. Landreth. Go see them live.

We understand you are quite the outdoorsman. When you’re not playing music, what are some of your favorite outdoor activities?

My favorite thing to do when I have the time is canoeing. There is nothing better than to pack your bags and head down a river for a few days. I also love to hunt and fish – any chance I can get to be in the backcountry is a good day for me.

Touring Texas

Texas is a long way from Alberta! What are the major differences in touring here vs. in Canada?

The distance between towns! Alberta is very spread out, and has a lot of wide-open spaces, but in many ways very similar to Texas. It’s very rural, and people love their country music.

What do you like most about playing in Texas?

I love the venues. There are many cool listening rooms down there, and I think those tend to be my favorite style of shows to play these days.

Share your favorite Texas venue and what makes it special.

My very first show in Texas was at a place called Hidden Oaks up in Windthorst, so that one has a special place in my heart. It was born out of a house concert series. It is cool to see how that kind of thing can grow.

When will you bring your tour back to Texas, and what can people expect when they attend a show?

I’ll be back in Texas this fall and announcing some tour dates. I’ll be stripping back the show to a solo acoustic performance. It’s a cool opportunity for me to share some more stories and sing the songs the way they were written, just myself and my guitar.

If you enjoy great storytelling and live music, don’t miss Ryan Lindsay when he comes back to Texas. Visit www.ryanlindsaymusic.com to find out when he will be playing a show near you. And make sure to follow him on social media and download “Seasons” wherever you get your music.

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31070
Gary Liebst https://postcardslive.com/gary-liebst-2/?utm_source=rss&utm_medium=rss&utm_campaign=gary-liebst-2 Thu, 30 Nov 2023 16:58:59 +0000 https://postcardslive.com/?p=30715 There was no music program in the parochial school that Gary Liebst attended in Buffalo, New York, but just as he was about to enter the fourth grade, the school […]

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Gary Liebst

Gary Liebst

There was no music program in the parochial school that Gary Liebst attended in Buffalo, New York, but just as he was about to enter the fourth grade, the school contracted with the local public school system to provide a beginner band class for the first time. It wasn’t ideal—just one day a week—but it was enough for a gifted young musician to learn to play the clarinet.

Neither of Gary’s parents nor other close relatives had musical ability, but as Gary grew older, it became apparent that he had what he acknowledges is a God-given talent. He began studying music in earnest in seventh grade, when he switched to public school. The following year, one of the high school band directors recognized Gary’s ability. There were only about 50 members in the high school band, and saxophone players were in short supply.  So, the band director told Gary that if he’d learn to play saxophone—a cousin to the clarinet—he could play in the high school band as an eighth grader. “I thought my band directors were musical heroes and I would have done anything for them,” Gary says, so he learned to play the saxophone, earning a place in the high school band for the concert season.

No horses or tumbleweeds

When Gary was 15, his father, a World War II veteran who coordinated incoming and departing aircraft for American Airlines, was transferred from Buffalo/Niagara International Airport to Dallas/Fort Worth International Airport, requiring the Liebst family to move to Texas. Gary envisioned a Texas with horses, backyard oil wells and tumbleweeds, but found none in the metroplex. Furthermore, he learned that Texans embraced stereotypes too, and usually assumed he was from New York City.

Gary soon found that he could nurture his musical talent in Texas just as well as he could in upstate New York. By the end of his junior year in high school, he knew he’d found his career path. He ultimately earned a Bachelor of Music Education from East Texas State University and a Master’s in Performance from East Carolina University. He had “visions of grandeur,” he says, and hoped to play professionally, but as he neared the completion of his graduate courses, he realized that “not all of us can be performers in New York City and Los Angeles,” he says with a smile.

After graduate school, Gary got a job as a junior high band director with additional duties as an assistant high school band director in Bay City, Texas. Being a new teacher in a small school district was a challenge, but the following year, Gary began teaching at Wharton County Junior College and found his niche in community college music education. Over time, he came to love directing ensembles. “I was really connecting with these students in a way I never thought I could,” he recollects, and he realized, “This is the right place for me.”

By the time Gary retired in 2021, he had spent a combined 37 years at Wharton County Junior College, Lone Star College and Angelina College in Lufkin. Although he ultimately worked in administration, he was able to continue conducting by virtue of his 18-year tenure with the Kingwood Pops Orchestra. Gary joined the community orchestra when it was beginning its fifth year, and it flourished under his leadership. “We were rocking and rolling on all cylinders,” he says with a chuckle.

A nearly-missed opportunity

Looking back, Gary can’t believe how close he came to missing the October 2021 concert of the Conroe Symphony Orchestra (CSO). His wife, Lee Ann, didn’t feel up to it, but Gary, who had just retired after 38 years in music education, wanted to support the local symphony orchestra. So, at the last minute, he decided to attend. It was the orchestra’s first live performance since the pandemic, and the emcee welcomed patrons with enthusiasm. And by the way, she said, the orchestra was looking for a new conductor. Did anyone know a qualified candidate?

Gary was thunderstruck. For the previous three years, his job duties as a dean at Angelina College had prevented him from conducting, and he missed it terribly. He had wondered if he would ever be able to conduct again.

After the emcee’s surprising announcement, Gary hoped he would recognize a member of the orchestra who could provide an introduction. He knew that the Kingwood Pops Orchestra and CSO sometimes shared members; furthermore, Gary had been a part of the music community in the area for many years. But as he searched each face on stage, he made an unwelcome discovery. “I didn’t know a soul,” he says.

After the concert, he gathered his courage and embarked on what he admits was a rather awkward mission: to let the orchestra know that he did, in fact, have conducting experience, and that he wanted to apply for the job as CSO’s conductor. Over the next few months, several other job applicants served as guest conductors, but Gary finally had the opportunity to interview in April 2022. He later learned from the hiring committee that his vast experience with volunteer adult ensembles and his zealous enthusiasm were the deciding factors. Gary took the baton just in time for CSO’s 25th anniversary season.

CSO’s 25th anniversary

Like most musical groups, CSO struggled during the pandemic, but Gary joined the orchestra as it began its 25th anniversary season, bringing his infectious love of live music to the group. To start the season, CSO performed a Halloween-themed concert in October 2022. Dr. Gregg Hallbauer, a local physician and accomplished pianist, was guest musician. He played several selections with the orchestra, including Bach’s instantly-recognizable and spooky-sounding Toccata in D Minor. The orchestra’s Christmas concert featured Nancy Curtis, a well-known soprano, who charmed the audience with her velvety voice. In February, the CSO performed “Music of the Silver Screen” to commemorate its silver anniversary. Then, in April, the orchestra featured patriotic music, hosting the nationally-recognized Victory Belles, ambassadors of the National World War II Museum in New Orleans, who are known for their three-part harmony and World War II-esque style.

Orchestra members have extended a warm welcome to Gary, citing his pleasing personality and vast musical knowledge. “He can bring the music to life in a different way than the conductors we have had before,” says Stephanie Harris, the orchestra’s principal flutist and one of its six charter members. “If we are not doing something right, he’s going to let us know, but he’s very personable all ’round and fun to talk to.”

The orchestra is currently in its 26th season, and Gary promises “an amazing mix of classical and popular music.” While the orchestra will perform some classical pieces, it will also play “well-known Broadway music, some jazz and some popular music,” Gary says. “There’s something for everybody,” he says, noting that he is pleased to be a part of a musical organization that can connect with audiences in a meaningful way. “It’s local talent performing for friends, neighbors and families,” he says. “That’s pretty special.”

While rehearsals often concentrate on mastering technical aspects of the music, Gary says, live performances can unleash the music’s indefinable emotional qualities. Sometimes patrons approach Gary after concerts to say that the music touched them in unexpected ways. And occasionally there are unforgettable moments during performances, like the time an aging veteran struggled to stand during the playing of an armed forces medley and then saluted crisply. “It’s something you don’t plan on, but when it happens, it’s always special,” he says. “Tell me, what better feeling is that?”

While Gary’s professional focus has always been on music, he and Lee Ann, who married in 2000, have other interests, too. They enjoy spending time with their grown children, Kimberly, Carley, Alec and Evan, and like to travel. Although they didn’t know each other at the time, both Gary and Lee Ann grew up watching the Dallas Cowboys with their fathers. This shared interest in professional football sparked a unique goal: to attend a professional football game at each NFL stadium. They sit in the “cheap seats,” Gary says with a laugh, and mingle with “the regular people of society.” They are particularly looking forward to visiting the SoFi Stadium in Los Angeles because of its magnificent architecture. (For the record, Gary and Lee Ann have crossed 14 off their list and have 18 to go.)

Meanwhile, Gary often reflects on his spur-of-the-moment decision to attend CSO’s October 2021 concert. “If I hadn’t gone to the concert. . .” he says, shuddering. “What a lucky moment,” he says, acknowledging that perhaps it wasn’t luck so much as a divine orchestration. “I was the right person for them, and they were the right group for me.”

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Ryan Lindsay https://postcardslive.com/ryan-lindsay/?utm_source=rss&utm_medium=rss&utm_campaign=ryan-lindsay Tue, 31 Oct 2023 16:06:01 +0000 https://postcardslive.com/?p=30489 All roads lead to Texas…even for a country music singer from Canada. Singer-songwriter Ryan Lindsay has two “happy places” – behind a microphone with his guitar and out in the […]

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All roads lead to Texas…even for a country music singer from Canada.

Singer-songwriter Ryan Lindsay has two “happy places” – behind a microphone with his guitar and out in the Canadian backcountry. He is a five-time Country Music Alberta award winner whose first career was working as an outdoor guide in the Canadian Rockies, where he’d run multi-day river trips helping people experience the great outdoors. At night, he’d sometimes play his guitar and sing around a campfire. It didn’t take him long to realize he had the talent to pursue music – and he had stories to tell.

This spring Lindsay made his way to Texas and shared songs from his new album, “Seasons,” a collection of music that provides an introspective look at the seasons of his life.

Lindsay shared with Postcards the concept behind the album, his influences in music, and what he loves most about touring in Texas.

The New Album

Tell us about your new album, “Seasons.” How did you come up with the concept of this album?

Back when 45s were common, artists used to press two songs into a record, and I’ve always liked that idea. I wanted to create a body of work, so the idea developed into releasing the music as I recorded it, two songs at a time over the course of a year. It’s like a collection of 45s that make one full album. So, we started with a two-song digital 45 called “Fall,” and released those songs on streaming, followed by “Winter,” “Spring,” and “Summer.” We then compiled them this year into a final album with a bonus track.

How important was this strategy?

Most artists are starting to market their music as a series of singles instead of albums these days. That’s just a result of people’s listening habits, but with this project, I still wanted to express the music through a body of work. This allowed me to stagger the releases and give people a little more than just a single each time new music dropped.

You’ve said this album allowed you to share the personal seasons of your life. Describe that journey with us.

Recording an album is always a journey – you go through different emotions throughout the year, and the music tends to change the further you get into the project. This album was a way to share that experience with my audience.

You released “Heart of a Troubadour” to radio in Texas, and it did well here and on streaming. Why do you think it resonated so well with listeners?

“Heart of a Troubadour” is a story about being young and a little bit naïve and growing up to recognize there is a lot more to life than you realize. There’s always more to learn, there’s always a little searching left to do. I guess I can’t speak for the listeners, but I think it’s something we all experience, and it was something that certainly resonated with me when I wrote the song.

“Rich Folks” was your most recent release. Talk about the light-hearted tone of the song and the story behind writing it.

This was such a fun song to have on an album that was otherwise quite reflective and at times got a little heavy. I felt like it was important to just cut a song for the joy of it – this song just came from that place. It’s been a great song for radio, and the story is simple – you don’t need money to have a rich experience in life!

Do you have a favorite song on the album? If so, why is it your top pick?

I love all the songs for different reasons, but if I had to pick one that defines the record, I would choose “Heart of a Troubadour.” I had just started playing harmonica at the time, and it’s fun to listen back on how it all came together. Val McCallum from Jackson Browne’s band played slide guitar on it, which gave it a little heartland rock flair. I think once we recorded that song, it set a new tone for the rest of the album.

How do you go about songwriting? Do you start with a melody or a lyric, or do they hit you all at once?

I use voice notes to take down melodic ideas or lyrical ideas – often the two together. I’ll use that as a starting point, and then sit down and work it out later. Every song gets worked out a little differently, and I kind of let the song guide the process.

Pursuing Music

Why did you decide to pursue a career in music?

I guess I reached a point in my life where I felt I had something to say. I started writing, and it just became my life. Music is that thing in my life that kept tugging at me, and I am so grateful for all the great experiences and friendships I’ve made doing this for a living.

How would you describe your style of music?

People have called it heartland country, and more recently, the “Seasons” album has fit into the Americana genre, but I just consider myself a country artist more than anything else.

Who are some of your favorite musicians who have inspired or influenced you in your career?

I have admired artists like Vince Gill, Alan Jackson, Blue Rodeo, and The Eagles. I grew up around that music.

Who are some of your favorite current artists?

I need to shout out some friends that are touring right now that you need to catch live – probably my favorite Texas-based band right now is The Wilder Blue, and a killer band from Winnipeg, Canada – The Bros. Landreth. Go see them live.

We understand you are quite the outdoorsman. When you’re not playing music, what are some of your favorite outdoor activities?

My favorite thing to do when I have the time is canoeing. There is nothing better than to pack your bags and head down a river for a few days. I also love to hunt and fish – any chance I can get to be in the backcountry is a good day for me.

Touring Texas

Texas is a long way from Alberta! What are the major differences in touring here vs. in Canada?

The distance between towns! Alberta is very spread out, and has a lot of wide-open spaces, but in many ways very similar to Texas. It’s very rural, and people love their country music.

What do you like most about playing in Texas?

I love the venues. There are many cool listening rooms down there, and I think those tend to be my favorite style of shows to play these days.

Share your favorite Texas venue and what makes it special.

My very first show in Texas was at a place called Hidden Oaks up in Windthorst, so that one has a special place in my heart. It was born out of a house concert series. It is cool to see how that kind of thing can grow.

When will you bring your tour back to Texas, and what can people expect when they attend a show?

I’ll be back in Texas this fall and announcing some tour dates. I’ll be stripping back the show to a solo acoustic performance. It’s a cool opportunity for me to share some more stories and sing the songs the way they were written, just myself and my guitar.

If you enjoy great storytelling and live music, don’t miss Ryan Lindsay when he comes back to Texas. Visit www.ryanlindsaymusic.com to find out when he will be playing a show near you. And make sure to follow him on social media and download “Seasons” wherever you get your music.

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Ricky Skaggs https://postcardslive.com/ricky-skaggs/?utm_source=rss&utm_medium=rss&utm_campaign=ricky-skaggs Mon, 26 Jun 2023 15:31:25 +0000 https://postcardslive.com/?p=29560 You weren’t born a Texan, but at least you married one! That’s right!  When we got married, I wanted to let Sharon know how much I loved her, so I […]

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Ricky Skaggs

You weren’t born a Texan, but at least you married one!

That’s right!  When we got married, I wanted to let Sharon know how much I loved her, so I said, “I guess I’m a ‘drafted-in’ Texan.”  She cocked that leg around, like Texas women do, shifted her weight to that one leg, and said, “You’re not a ‘drafted-in’ Texan.  YOU are a ‘wannabe’.”  So, I knew my limitations right then.

The term “storied career” certainly fits when thinking about Ricky Skaggs.  He is a member of 6 different Music Halls of Fame, and his awards include 15 Grammys, 8 CMA (Country Music Association), 9 ACM (Academy of Country Music), and 13 IBMA (International Bluegrass Music Association.

And the story continues when Ricky Skaggs and his band Kentucky Thunder perform at Huntsville’s Old Town Theatre on Sunday, August 20th!

As you think about your career and all you’ve accomplished, what do you hope you’ll most be remembered for?

I move with a lot of faith.  I’m a Christian who believes the Bible and believes what God says.  I pray…I’m not sure I’m the greatest in obedience—sometimes I feel like the Lord drags me kicking and screaming to move forward on the path–but I believe God has more of a purpose for us besides just music.  But music is the vehicle with which we get to deliver the message.  There are people we come into contact with who would never enter a church, but Jesus is for everyone.

I would rather be known as a Christian than as a great player, as a great singer or songwriter, or for awards.

How is that reflected in your music?

We don’t do a “Christian” show—it’s not a Gospel show—but the influence shows.  In this day and time, there are so many people who are so confused, and they’ve heard such horror stories about the church and about the Lord.  It’s not the Lord’s will that any should perish.  We have the opportunity to go into the marketplace and make a difference.  It’s impressive to kids these days to actually see people making their own music and playing an instrument. It’s exciting to me to see people learn that, maybe they have a gift…and it’s in their heart, but it hasn’t really been developed yet.

What’s new and upcoming in your world that folks may be excited to learn about?

Here I am 68 years old, and I’m investing a lot of money into a business with my studio, a place where I’ve recorded for a long time.  It is the place where I do my personal work, but we really want to rebrand it as a working studio open to anyone who wants to rent it.  We’re in the process of a major renovation and hoping it will be available to use by August or September.

In 1997, after Ricky’s then-current recording contract was coming to an end, he decided to establish his own record label – Skaggs Family Records. Since then, Skaggs and Kentucky Thunder have released an amazing 12 consecutive Grammy-nominated classics, (8 of which went on to earn the revered award) while also opening the label to a variety of other musical artists, all the time keeping emphasis on bluegrass and other forms of “roots” music.

Nowadays, people can record at home in their bedroom, but it sounds like that to me when I hear the finished product <laughs>.  The studio will have an enlarged recording space where we can get creative and do a lot of video in there as well, including livestreaming.  It’s pretty exciting.  I felt drawn into it.

What’s your “sweet spot” on tour dates per year?

We don’t really have a set amount.  This year has been our busiest so far.  We did 22 shows in January alone.  It’s the best year we have seen since “the shutdown” we all had to go through.

In recent news, Darin & Brooke Aldridge’s new single, “Jordan,” featuring Ricky Skaggs, Mo Pitney & bassist Mark Fain hit Bluegrass Today’s Gospel Charts #1 position in June. This song is up for both Gospel Recording of the Year and Collaborative Recording of the Year honors.

Near the end of our conversation with Ricky, he became reflective.

I did an album back in 2010 called “Mosaic.”  It’s a Gospel album, but it doesn’t sound Gospel.  Some of the songs sound like the Beatles if they’d have gotten born again! <laughing>  My co-producer, Gordon Kennedy, co-wrote all the songs on the project.

There was one song in particular he brought to me late in the project.  It’s called Return to Sender.  It’s not the Elvis song—Gordon had a friend of his who asked him about his father.  Jerry Kennedy was a well-known musician here in Nashville, and he ran Mercury Records for years.  He produced Roger Miller, Jerry Lee Lewis, early Reba stuff… Anyway, his friend said, “Hey Gordon, did your dad play guitar on Elvis’ Return to Sender?”  Gordon said, “No, it was Good Luck Charm.  But you know, I think I want that on my tombstone.”  That opened up an idea to Gordon to write a song that said, “When I’m gone, just return me to the One that sent me here.  Put ‘Return to Sender’ on my tombstone.”

History will say what they want to about me, but it’s what the Lord says about me that’s most important.  I want to be remembered as a man who loved God, loved his family, loved his neighbors, loved his country, and was a patriot.  I’ve got patriot blood running through my veins from the Revolutionary War and the French and Indian War…it goes back many generations.  I’m proud of that.  I’m not so proud of how things are right now in our nation, but I have faith, and I believe with all my heart that’s going to turn around.

I’m looking forward to the days and years ahead.  I don’t know how many years the Lord has me on this earth, but He knows.  The Holy Spirit’s gonna speak out of us unless we try to hold it back and quench the Spirit.  I don’t want to do that. 

 

For more information, visit rickyskaggs.com.  For info about the upcoming local appearance, visit oldtowntheatre-huntsville.org.

 

BONUS:

Add author to the storied career as well. 

His book, Kentucky Traveler:  My Life in Music is an honest, deeply American story of the power of faith, family, and music from one of America’s most beloved bluegrass and country artists.

Despite the hit singles, gold records, and successful tours, Ricky knew there was more to his mission. With a failed marriage and a sometimes-strained relationship with his children, Ricky had to make a choice. He would follow God’s plan, and rededicate his life to Christ, to his family, and to the music that made him. He would carry the torch lit by his musical heroes Ralph Stanley, Earl Scruggs, and Bill Monroe–and, most importantly, live the life and play the music that would make his mom and dad proud. Telling the intimate stories of a successful career built on passion, drive, and faith, sharing tales of his influences, and fondly recalling the instruments that have shaped his sound over the years and the friendships that have shaped his life, Skaggs paints a unique insider look at the evolution of bluegrass.

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Jimmy Fortune https://postcardslive.com/jimmy-fortune/?utm_source=rss&utm_medium=rss&utm_campaign=jimmy-fortune Fri, 31 Mar 2023 14:20:49 +0000 https://postcardslive.com/?p=28935 It took me about two minutes to purchase tickets to the Old Town Theatre on April 21 once I saw Jimmy Fortune would be in town.  For those who do […]

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Jimmy Fortune

It took me about two minutes to purchase tickets to the Old Town Theatre on April 21 once I saw Jimmy Fortune would be in town.  For those who do not know, Fortune was the tenor for The Statler Brothers and, along with them, has been inducted into the Country Music Hall of Fame, the Gospel Music Hall of Fame, as well as the Virginia Musical Hall of Fame as a solo artist.  Jimmy began his journey with the Statlers, already a favorite of mine, when I was a senior in high school.  In spite of my initial resistance to a change in my favorite group, it took me about two minutes to recognize the special smoothness of this unique tenor.  Coming from a family of singers who love harmony, Jimmy Fortune quickly became (for me) the standard by which other tenors were gauged.  When I got on the phone with Jimmy for an interview, it took about two minutes to decide he had to be one of the nicest people I had ever spoken with.  Add to that his love of family, country, and God, and you will find a voice and music that touches you where you live.

What was life in the music world like for you prior to the Statler Brothers?

I was playing hotel clubs in Virginia six days a week, four hours a night, and I had a daytime job as a service writer at a car dealership.  Working myself in the ground, pretty much.  Cover music, top 40 stuff, everything from rock to country to bluegrass to gospel…disco, you name it.

How old were you when you joined the Statler Brothers?

I was 26, going on 12 (laughs).  Thanksgiving 1981, I had a night off and was asked by some friends to come to a local ski resort and jam with them.  To this day, I can’t figure out why I went to play music on my night off.  Statler tenor Lew DeWitt was there and heard me, and we got to sing together a little bit.  I didn’t think anything would come of it, but when he had surgery around Christmas, he recommended me to the group as a fill-in. It turned full-time when he had to leave the group for health reasons. I see so many God things in my life, where He put me in the right places at the right time for the right things.  I don’t know how he steered a young, rambunctious guy like me, except for my Momma’s prayers. 

In 21 years with the Statler Brothers and your career since, you have performed all over the U.S, internationally, at the White House, for Elizabeth Taylor…what was the most memorable performance experience for you?

Whoa…there are so many!  The first time on stage with the Statler Brothers was great, January 28, 1982, in Savannah, Georgia.  I was standing there with my heroes.

We started the DARE program with President and Mrs. Reagan to keep kids off drugs, and we did some things with them at the White House.

Also, there were some performances at galas in Los Angeles, with so many actors and actresses.

We had a thing we did in Stanton, Virginia every year on the Fourth of July called “Happy Birthday, USA” that grew to over 110,000 people in our little town.  Those were so memorable because our families also got to be there to celebrate our country, our independence, and our veterans.

You wrote the #1 hit Elizabeth.  Was it planned as a Statler Brothers song?

I had never written a song before.  I had always been so busy working I never had time to write.  After I had been in the group awhile, I asked whether they would record a song if I wrote it.  Harold Reid gave me a really honest answer.  He said, “Well, little buddy, if it’s good enough…yeah, we’ll record it.”

I had a melody in my head, but I was looking for some words.  We were leaving for a performance in Oklahoma.  I stopped at the Kroger to get some things for the bus.  While I was there, I heard a mother fussing at a little girl for taking items off the shelves.  She was saying, “Elizabeth!  Why did you do that?”  Then on the trip, the Statlers (being big movie buffs), asked me if I had ever seen the movie Giant, with Elizabeth Taylor, Rock Hudson, and James Dean.  I hadn’t, so they pulled it out and we watched it on the bus.  During the concert in Oklahoma, this young lady comes up to the stage and grabs my hand.  She kept saying, “I’m Elizabeth.  I’m Elizabeth.”  It just hit me that I had to put that name in this song.  It was another God thing.  That night in the hotel room, I started putting words down and played the song into my little recorder.  The next day, I played it for the guys on the bus, and they loved it.  We recorded it, and it went #1.  I won songwriter of the year, and it won song of the year for 1985.

Any other personal favorite songs you have?

All my patriotic songs…More Than a Name on a Wall.  That’s one of my favorites, because I get to say thank you to some very important people.  Then I’ve written some…In God We Trust, and a song called Meet Me at Arlington.  These pay tribute to our veterans and are stories of people searching for comfort.  Also, some gospel songs like I Believe, which are pretty much given to me by the Good Lord up above.  One more recent special song is called I Love You More; it was inspired by my granddaughter.  When I tell her I love her, she says, “I love you more!”  That’s the way God is.  He loves us more than any mistake we’ve ever made and is always there for us.  That’s what that song is about.

How did you connect with the Gaithers?

We have always been fans, and Harold, Phil, Don, and Lew were good friends with Bill Gaither.  When the Statlers retired and I was on my own, I didn’t have a record label.  I did a few projects here and there, then Bill Carter, an attorney for so many big acts—like Reba McIntyre, The Rolling Stones, and the Gaithers—contacted me.  He had heard something I did and asked me to come to Arkansas to open for Dailey and Vincent and Jason Crabb.  After that performance, he contacted Bill Gaither and told him he needed to do some projects with me.

How did the group Brothers of the Heart develop?

Mike Rogers was playing downtown doing some clubs, and Ben Isaacs and I would go down there and sit in with him from time to time.  Eventually, Bradley Walker came and sat in.  We got to listening to the blend, and the Gaither group suggested we do a project.  We thought “Okay, we’ll see.”  We all have our own careers going, Mike is with Ricky Skaggs, Ben is with The Isaacs, and Brad and I each have our own thing.  Our first studio project was called Brotherly Love.  We recorded another project at the Grand Ole Opry.  Don Reid of the Statlers came down and did the video interview portion, and he said, “You guys really are brothers.  You’re brothers of the heart.” We are now called “Brothers of the Heart.” We just released the first half of that project, called Listen to the Music.  The other half, Will the Circle Be Unbroken, will probably come out in the fall.  We do about 5-10 live shows together a year, which makes it kind of a special event.

You work closely with your wife Nina.  What are the pros and cons of working together?

It takes its toll on a husband and wife.  I write songs, play my guitar, and sing…Nina does the rest.  She’s very overworked and underpaid!  If it wasn’t for her, none of this would be possible.  It’s hard to find people to hire with strong work ethic and who won’t drop the ball.  She steps in and gets it done.  We are trying to take mini-vacations now to not let work rule our lives.

What do you want to be remembered for?

I want people to see a grateful person who has let the Lord lead him and has let them know they are loved—someone the Lord used through music to bring joy and laughter, comfort and healing…because we’re all in this together.

Jimmy Fortune will be performing in Huntsville at the Old Town Theatre April 21, 2023.  Visit oldtowntheatre.org for ticket information.  For more information about Jimmy, his schedule, and his music, visit jimmyfortune.com.

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Dominique Sachse https://postcardslive.com/dominique-sachse/?utm_source=rss&utm_medium=rss&utm_campaign=dominique-sachse Mon, 31 Jan 2022 15:04:59 +0000 https://www.postcardslive.com/?p=26197 Tall and slender with her hair highlighted and cut in a stylish bob, Dominique Sachse is immediately recognizable to anyone who has lived in the greater Houston area and watched […]

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Dominique Sachse

Tall and slender with her hair highlighted and cut in a stylish bob, Dominique Sachse is immediately recognizable to anyone who has lived in the greater Houston area and watched the news on KPRC Channel 2. After 28 years with the station, she recently retired from her position as a news anchor, but is not shying away from the spotlight. She has taken what began as a sideline gig – giving beauty and fashion advice on YouTube – and expanded her online presence to become a full-time social media influencer and author of a new book titled LIFE MAKEOVER: Embrace the Bold, Beautiful, and Blessed YOU.

Dominique sat down with Postcards recently to talk about her career as a broadcast journalist and the passion behind her new ventures.

How did you break into broadcast journalism? Did you ever think you would become a primetime news anchor?

I was a sophomore in high school when MTV debuted. That was the first time I saw young people as broadcasters, and they were talking about content that mattered to me. Prior to that, all broadcasters were a certain age and demographic. My parents watched the nightly news, and I never saw myself in that way. But seeing these young people talk about music and interview the artists, I thought, “Wow, that’s amazing.” I was a natural communicator; loved to write and express myself, so I thought I would pursue music and entertainment television.

After I graduated from University of Houston, where I studied broadcast journalism, my first steps were with a company called Metro Traffic Control. I got a job as a traffic reporter part-time on the weekends for KLOL and KTRH. Then I would fill in for a variety of radio stations during the week. And so I got a regular slot on KHMX (which was Mix 96.5 at the time), and then I heard there was a position open for a disc jockey. So I went after that, and I pursued it and I became an overnight DJ at MIX from midnight to 5:30. I worked during the day as a production assistant. It was just a crazy start.

After two years of working as a DJ, I eventually made my way over to Channel 2, where I got hired as a traffic reporter. So that’s how I started there. Then I just worked my way through the ranks. It was an atypical path getting there, for sure, but I’m grateful for the journey. I’m grateful for the radio start to the journey, because I think it made me a better broadcaster in television news and maybe more comfortable in my own skin, and especially in breaking news situations.

You were with KPRC for 28 years. What made you decide to retire and do something completely different?

You know how you just feel that internal tugging? I was beginning to feel that in the past couple of years. I had launched my YouTube channel in 2014, and I was really enjoying producing content that matters to me –  producing content that connects to women of our age and demographic, and sort of carving out that lane. When I started, there weren’t many content creators for women 40 and 50 plus, so I felt like I sort of fell accidentally into this little niche. And it was really speaking to my heart.

I was kind of waning in the whole TV news industry and losing that hunger and appetite, that desire. At the same time, I was really loving what I was doing on the side, so I thought okay, it’s time for a shift. It’s time to move into something that really speaks to my heart, where I can pour all of my effort and energy into in terms of content creation.

Where did you get the initial idea for your social media content?

As a female broadcast journalist, the questions you get are usually “Where’d you get that blouse? Who does your hair?” or “What did you wear?” Or “How do you create that makeup look?” You know, it’s all the physical, right? And so I would, at the time, answer everybody’s questions via email. It was very time consuming. So one day just out of the blue, I took my cell phone and I did a reverse video. I thought, “Okay, I’m just gonna show everybody how I do my makeup.”

So I’m sitting in my bathroom with my phone, and I’m blending and whisking like okay, so this is the color and this is how to do it. And I created a little video and I posted it to my KPRC Facebook page. And I thought, “Should I have done that? I don’t know if I should have done that!” But I did it. And it was so funny, because the questions that followed, were, “Wow, this is so cool” … now what about this, and what about that?” I mean, there were thousands of them. I get more questions and comments about that stinkin’ makeup tutorial than anything I have ever said or done!

A gal I knew who worked at my husband’s firm at the time had her own YouTube channel. She’s young, millennial, and a beauty fashion blogger. When she saw my video, she told me I needed a YouTube channel. So after doing a little bit of research and digging and whatnot, I decided it might be a really cool place for me to be, and I could start putting a lot of this information and this content out there. There was so much more that I had to offer besides the smoky eye, but that’s how it all began.

What is your philosophy on beauty and aging, especially as it relates to women in their 40s and 50s?

I would say it’s more of a full picture. It may have started with hair, makeup and wardrobe, but it’s really become about the whole woman. It’s about feeling good in your own skin. Yes, it’s about skin care and beauty, but also lifestyle, wellness, living your best life, relationships–all of that.

My platform is about serving and caring for the whole woman and letting her know we are not forgotten. We are an incredibly important part of this segment of society. We are the spenders in this society. We are the largest-growing population in this society, and it’s time for companies and retailers to realize we don’t want to see a 20-year-old selling skincare. We want accurate representation, accurate faces, accurate lives, accurate bodies … and there’s been a magnificent shift in that area, where finally somebody’s paying attention to who we are, realizing we want information, and we want quality products.

I don’t know why people use the word anti-aging. To me, it’s about pro-aging–to age gracefully, to age well, to be proactive in the choices we make and the products that are available. The thing is, every woman gets to decide what’s right and what’s best for her. Whether it’s absolutely nothing at all, or maybe it’s taking little baby steps, and that’s sufficient. Or maybe it’s a combination of skin cream and getting out of the sun and being diligent about your SPF, or maybe it’s a little bit more.

I love the fact there are so many options, and I think the neatest thing and the greatest gift we can all give ourselves is a judgment-free gift. Don’t judge yourself, and most certainly don’t judge another woman for what it is she chooses to do. We all have to walk our own walk, and I think it’s important we respect that within ourselves and each other.

Are there any specific beauty trends you’re seeing right now?

I always joke that once upon a time, you went from face cream to facelift, right? There was nothing in between. But the cosmetology industry has expanded to the point where there are so many things you can do. If you don’t want the full-on extreme, like our mothers did – you know, yank it and pull it tight and call it a day – there are so many other choices besides surgery, like lasers, fillers, and collagen boosters. I’m seeing a huge shift in what’s available in terms of injectables and new products on the market, like Sculptra, which actually causes your body to create more collagen.

So, what made you decide to write a book? How does it fit with the social media?

I kind of think of my social media as a way of bridging the gap between the Thursday YouTube videos and the book. It’s a continuum of the content and messaging. It came about because I had a lot of women who were starting to reach out to me and they would say, “It seems like you have so much to offer in a wide array of subjects. Have you ever thought about writing?” I would laugh and was like, oh, you’re funny. You know, between the news gig and the YouTube gig and parenting and stuff, like I really have time to write a book. But I’ll never forget there was one time in church – it was in the fall of 2018 – and a gal sitting behind me in the service tapped me on the shoulder and said, “You should write a book.” I’m a very strong believer in God, and I thought maybe he was speaking through her, so I figured okay, I’ll give it a shot.

Tell us more about your book.

The title of the book is called LIFE MAKEOVER: Embrace the bold, beautiful and blessed YOU. It’s about a woman grabbing hold of her life, where she is in the moment, and digging in her heels and saying I am worthy of time invested; I am worthy of feeling beautiful; I am worthy of feeling good in my own skin; I am a creative person. I am gifted with talents and ideas, and it’s important not to settle in a comfortable space, but to say, “You know what? I need to stretch; I need to grow; I need to expand myself. I need to be purpose driven.” The book is my life’s methodology of how I got there.

The model is sort of “beauty from the outside in” and that’s something I’ve coined in the book because I believe in the power of the visual, the power of the transformation. When you start seeing yourself differently, you want to start doing life differently. You’re thinking, “Okay, I’ve got this new look, I’ve got this new hairstyle, but maybe my wardrobe isn’t matching what I’ve got going on.” So you start dressing yourself differently. And then you start looking at your personal space, and you realize you should tackle some structure and organization. Or maybe you decide you should tackle how you approach food and exercise to have a more healthful, wellness-driven life.

The book also includes a spiritual component, right?

There is. I talk about my faith journey, and I talk about the importance of faith in two ways: faith in yourself and faith in your God. And your belief system is your belief system. I’m not a proponent of a religion. I am a proponent of a faith system. My journey was a later-in-life epiphany for me. I was not a believer for most of my youth. But when I was in my 30s and trying to get pregnant, I had to go through in vitro fertilization, and I talk about that in the book.

It was during that time, out of the blue, I sort of felt compelled to pray. And it was a very foreign experience for me. I didn’t know what to do, how to do it, how to talk to God. I had no experience, so I just prayed and put it out there. I prayed for a child and for hope, and all of that. I found out a few days later I was pregnant. So I continued my prayer journey. It was a slow burn, as I say in the book. It was not a zero to 60, but it was something that grew in my life.

I started to attend the church later, and I learned how important that conversation with God is and how important it is to offer gratitude in all times, the good times and the bad times. There’s always something to be thankful for. That spiritual journey was so important for me and completely changed my life, so I felt it was worthy of a chapter in the book.

For more on Dominique and her new book, visit www.dominiquesachse.tv.

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Alex Boylan, Producer of The College Tour https://postcardslive.com/alex-boylan-producer-of-the-college-tour/?utm_source=rss&utm_medium=rss&utm_campaign=alex-boylan-producer-of-the-college-tour Fri, 31 Dec 2021 15:53:20 +0000 https://www.postcardslive.com/?p=26109 Ever wonder what college life is like at Sam Houston State University in Huntsville (or what it is like at any university, for that matter)? Now, anyone can experience a […]

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Alex Boylan, Producer of The College Tour

Ever wonder what college life is like at Sam Houston State University in Huntsville (or what it is like at any university, for that matter)? Now, anyone can experience a virtual college visit and hear about campus life directly from college students – including Sam Houston State University (SHSU) students.

Created by reality television contestant, TV show host and producer Alex Boylan, The College Tour is a streaming series designed to help prospective students with the daunting task of choosing the college or university that is right for them.

“Our mission is to tell real stories, through real students,” explained Boylan. “I knew from the get-go that I wanted a certain format and a diversified portfolio of schools from big universities to smaller state schools.”

In the season 2 episode, ten SHSU students share their college experience and show what life is like to be a Bearkat. This includes a glimpse into the academic life, research opportunities, student life, athletics and friendships of SHSU students.

The approximately 40-minute show highlights a variety of colleges located on the main campus in Huntsville, along with Conroe and The Woodlands. The James & Nancy Gaertner Performing Arts Center is described as a world class academic and performing center; the Criminal Justice Center is highlighted along with the Veterans Resource Center on campus; the Dan Rather Communications Building; and the College of Nursing in The Woodlands are all spotlighted with personal stories from students in each college. The students’ love, admiration and respect for SHSU and its faculty is evident in each segment.

Season 2 aired November 8th and can still be viewed on any of the available platforms. Season three will begin airing on Amazon in early 2022.

Well, let’s start with the most obvious question. How did you come up with this original idea?

Sometimes great TV shows come from simple places. Approximately two years ago, my niece was a junior in high school trying to figure out where she wanted to go to college. She is from a small town in Wisconsin, and my older sister granted her one college trip, so she decided to come see me in Venice, California. As the uncle guiding my niece on this journey, it was so fun! I took her to UCLA and all the schools around the Los Angeles area. During that trip, she said, ‘I also want to check out some schools in Texas, New York, Florida, and other places around the country.’

I could hear my older sister quickly say, ‘What do you think I’m made of money? She just got a trip to Los Angeles.’ Now, the average cost of a college trip outside of someone’s hometown is $2,500. So that wasn’t in the cards. Not long after that, COVID hit, and the country got shut down, so I started helping my niece navigate this process online. I quickly realized this was a huge challenge for me to try to find the right place for my niece. Every school has their own marketing approach, their own story, some have very high-end commercials – every school does their own thing. Being an outsider, trying to do this with my niece was very hard. That’s really where the lightbulb went off – higher education needs its own television series.

So, the journey began.  The journey has led Boylan (and the approximately 50+ production team) to universities and colleges around the country, including the Lone Star State.  Texas schools included thus far have been Baylor University, Texas Christian University, and the Piney Woods’ own SHSU in Huntsville (all Season 2).  The University of North Texas will be featured in Season 3, and The University of Texas at Austin and St. Edwards University in Austin will be included in Season 4.

 University life is about finding your passion, your people, and learning who you are and your place in the world. I want students to know there is always a way to make it to college.

How does the selection process work for the schools?

We have a partnership team, and we are constantly looking for great universities. For us, the biggest thing right now is making sure we have a diversified series for the audience. If you want to be an engineer and work in aerospace at NASA, Florida Tech might be a great fit for you. If you want to go to an awesome state university, Sam Houston State is an awesome opportunity, and you’re right outside of Houston. We really just want to go big, small, medium across the country.

What made you choose SHSU for a spotlight?

There are so many awesome things about Sam Houston University. The school is very historic, 140 years old, and there’s something about the motto. That motto penetrates throughout the university–through its student body, its faculty, and alumni. “The measure of a Life is its Service.” – I think that’s the easiest way to sum that up. It’s a great institution, great location, and it was a joy. The students were awesome!
There are some really unique aspects to that university.

What are some of those unique aspects that stood out to you while filming?

There are a lot of really amazing pieces in the forensic science program; it is top notch. That’s not something every university has. In the episode, forensic science doctoral student Ryan Gutierrez shares the cutting-edge research and technology he uses every day, which is getting national attention.  I recall that Gutierrez said, ‘My research focuses on improving DNA recovery from challenging samples, particularly those that crime labs have trouble with. I’m able to make an impact on a field I’m passionate about.’

The College of Osteopathic Medicine was also rather impressive. The hands-on learning and hands-on experience inside their new facility is what university life is all about.

You walk in there and feel like you’re in an actual doctor’s office or a live hospital. It is real-life simulation every minute of every day. It was as if I was filming in a real hospital with how everyone was handling every situation. They take it very seriously, and I think that hands-on experience is going to translate into great doctors.

Another thing that stood out for me was the history connected to the university. Everywhere I went, I was asking questions, because there’s just so much history there. That was just a highlight for me and something really special.

Also, another highlight of the university is that being an hour north of Houston is a huge advantage. You get the isolated university experience, but you’re not far from a big city where there are internships and big opportunities.

What makes The College Tour different from just going online and looking at college websites or the high-end commercials you mentioned earlier?

I knew from the get-go that we wanted to create a series which had a format the audience recognized and knew what they were going to get. If you watch The College Tour, you know what the format is going to look like, and you get a real authentic look at the school, regardless of where it’s located. It has been so important to us to tell that authentic story through real current students, and that’s what we’re most proud of. You’re going to get to know the students, the campus, and hear real stories. Hopefully, it will help students find their vibe, their tribe, and what’s the right location for them. These are all variables that high school students and their parents are trying to figure out what’s best. We now have this great television series on many platforms, all for free, to help students and their parents find the right fit. We want them to see places of higher institution outside their hometown. Some kids are going to go far away for college, and some are going to go right next door, but we want to tell as many stories as possible about higher education across the country.

Why do you think it is important to have college students share their story and talk about the school?

What is really cool is that we are getting college students to talk to high school students. That doesn’t happen. High school students look up to college students; they want to be college students, but there’s a divide–and we’re finally bridging that gap. Instead of someone’s mom, some professor or guidance counselor, now it’s the student who is only three years ahead of them saying, ‘This is who I am, this is what I do here, and maybe it will be a good fit for you, too.’ How powerful is that?

I think the show helps tell students why they need to go to college, and there’s always a way to get to college. In college, you are going to grow, think about things, and be exposed to things you never knew about, have relationships that last a lifetime, and have resources you will never have in the real world. I say this a lot to high school students, ‘These four years you can never get back, and the moment you graduate college – or decide not to go to college – you’re in the real world with the rest of us and that’s a really tough place to be. So, take this time to find your passion, find your purpose, and find your people.’

So, how do you put this series together, and how long does it take to produce?

This really becomes a co-production with the university. We really become one team and work together as a family in order to make an episode.  

There are two months of hard work done before we ever step foot on a campus. We work with the university team, and we start with the basic conversations of what are we going to talk about on the show, what makes the university tick, what are the highlights, and what does the world need to know about this school.

Then casting becomes key. We look for students who have genuine, authentic stories that co-align with the topics we’re going to talk about. Once we have the topics and students locked in, we focus on the student’s unique story. The first draft of their story is written by the student, not us. We need to know their story and what it is about the school’s program that has changed their life. So, when you’re listening to the students on the show, it’s not complicated; it’s just their story.

Then we shoot film on campus for a week, and we’re jamming. By the time we come on location to film, we are all seeing the same movie in our head. On location is the most fun for us and the university. We have very talented directors who have worked on the biggest shows in the world, so they know what to do. We keep a small crew and a small footprint in the field.

From there, we wrap the week, and there’s about two months of post-production to put the show together.

So, what ever happened to your niece? Did she use The College Tour to decide on a school?

That is a great question. She watched the episode we did on Arizona State University. On part of the episode, they talked about this Starbucks scholarship program at ASU. My niece was like ‘I work at Starbucks’ and checked into it. Then, boom–she had a full ride to ASU with this Starbucks scholarship she learned about from The College Tour.

That’s amazing. Do all the schools talk about scholarship or financial aid opportunities?

Not typically, but we do talk about programs, so it all depends on the school. That particular episode featured a student who wouldn’t have been going to ASU if it wasn’t for this Starbucks program and how it changed her life.

Where can a person find and view The College Tour?

We are on multiple platforms. The segments can be viewed online at www.collegetour.com, and the app may also be downloaded on IOS or Android phones. The show is also streamed on The College Tour Channel for free on television platforms around the world, including: Apple TV, Amazon Fire, Android TV, and on smart TVs from manufacturers such as LG, Samsung, Sony, Panasonic, Phillips, Sharp and other TCL Android-driven smart televisions.  The series also airs on ImdbTV & Amazon Prime.

We also work with about 60,000 high school college counselors across the country, and every episode gets distributed to that group of people, which is then distributed to their students. Our goal is to tell the stories of these institutions to high school students around the world, for free.

Tell us a little about yourself? How did you get into television?

My first TV experience was being part of the winning team on The Amazing Race with my buddy Chris Luca, whom I have known since kindergarten. That is where my life changed. I saw the world of television production for the first time, and I was floored. I knew I was going to be a travel producer. I loved every second of it. Afterwards, I got an opportunity to work for a small production company in Florida and started hosting shows, then producing shows for them. Then I created and hosted Around the World for Free. It was the first online, interactive experience show that we did with the CBS network, and that turned into a little franchise. That catapulted my career, and I became known as this travel interactive specialist, which has definitely helped out with The College Tour. I learned to take a very small crew into the world and come back with a story.

Have you always liked to travel?

Before I was on The Amazing Race, I went to Jackson University in Jacksonville, Florida and was an International Business major. I wasn’t sure what I wanted to do with the degree, but I liked to travel. I knew that whatever I did, I wanted to live with passion and purpose. My father was a pastor and lived with so much passion, and he instilled that in us at an early age. I believe you only live once, so might as well make it awesome. I want to be excited every day when I wake up, be passionate, be driven, have some purpose, and leave the planet better than when I had it.

For a blue-collar kid from the north shore of Boston, Massachusetts, you’ve had a pretty amazing life. Are there any experiences you feel helped shape who you are and your career?

It has been an awesome ride. I had great parents who exposed me to the world and definitely raised me in a way that I thought I could do anything.

In high school, I was on a semi-pro soccer team and spent a year living in Brazil during my junior year. Soccer was a big part of my life when I was young.

When I was a kid, my parents took my siblings and I on an amazing trip that has really helped me in life. It was the early 90s, and the last year all my siblings and I were going to be under one roof. I have two older siblings and a younger one. It was my freshman year of high school, and my parents pulled us out of school to spend three months together, backpacking across Europe as missionaries. We started in Ishmire, Turkey and backpacked through Turkey, Greece, down southern Europe, and ended up in Scotland. I’m talking about air B&B before it was a ‘thing,’ buses, trains, and couch surfing. I was at a really impressionable age, and the world was a lot bigger back then. My parents gave me experiences like this that shaped me into the human I am today. They didn’t have to, and they didn’t necessarily have the money to do so, but they found a way because they felt it was that important.

I tell my parents all the time, ‘Isn’t it interesting what I’ve gone on to do – tell stories from every corner of the world.’

 

Regardless of where his journey leads him, Boylan’s philosophy is simple:

We are all born with a different size backpack; it’s what we do with that backpack on that matters. When looking back, I believe time is our greatest asset. Time can’t be bought, time can’t be stopped, and time spent following your passion or your purpose is ‘time’ you will never get back. That, I believe, is the synopsis of how I try to live life.  And a big reason why we work so hard on The College Tour.  There is so much passion and purpose behind this TV series.

Kensley Grant

Hailing from the small West Texas town of Paducah, Kensley Grant was one of the students spotlighted on The College Tour episode featuring SHSU.  A second-year osteopathic medical student, Grant was elated to share his experience as a Bearkat and SHSU’s new state of the art Osteopathic Medical School.

“The way the world is moving, we rely pretty heavily on technology for information. With people looking for more and more avenues of education, I think it’s a really nice way to express things about your school in which you’re passionate,” says Grant. “If it had been around when I was looking for schools – especially medical programs – I would have used it. It shows more than what a webpage and a page of text can.”

Located in Conroe, Texas SHSU’s College of Osteopathic Medicine is the university’s eighth college and only the third college of osteopathic medicine in Texas. According to SHSU, its mission is to develop osteopathic physicians, grounded in osteopathic principles, who will serve the healthcare needs of rural and underserved Texans. The facility serves as an all-inclusive campus complete with lecture halls, research and anatomy labs, library, full mock hospital suite with an emergency room and surgical suites, and a mock clinic with actors who have ailments which students diagnose and treat. Students are even provided simulated patient mannequins that have full mobility and allow faculty members to set up different scenarios for the students.

“Their eyes move, you can take a pulse, hear respiration, and they are even hooked up to telemetry machines,” explained Grant. “We are trained exactly the same way as an M.D. (medical doctor), have all the same basic and advanced science classes, except we’re also trained in manipulative medicine,” said Grant. “We practice hands-on patient care where we are manipulating different joints or bones to help muscular skeletal pain or what-have-you.”

Along with the basic body systems, Grant says they are trained in osteopathic medicine to look further into a patient’s health and consider their mind, body, and mental health. Factors such as nutrition and stress are even considered when looking at a patient through the osteopathic lens.

“We use a more multi-faceted approach with our patients,” said Grant.

After getting his undergraduate degree from The University of North Texas in Denton, Grant made his way to Huntsville and SHSU so he could train specifically to help the rural communities.

“My hometown taught me so much about life in general and made me want to focus on rural medicine. My wife and I grew up in that area and like the small-town vibe. We want to raise a family in a smaller rural setting,” said Grant. “Plus, I’ve seen how underserved that population is healthcare wise, and there is such a need for more healthcare workers, not just physicians.”

Grant says the school’s mission and focus on rural medicine is part of what brought him to SHSU, along with the school’s dedication to primary care practices, developing compassionate physicians with cultural diversity awareness, and providing the training needed for rural communities.

“To be in rural medicine, you must be well versed in multiple areas, because you might be the only doctor that patient sees and not have the option to refer them to a specialist,” explains Grant. “Even if you can, there’s no guarantee they will go see the specialist, if they are two or three hours away.”

Grant is active in political advocacy for rural healthcare and has served for the last two years as student body president for the College of Medicine Student Council.

Grant and other students from the college travel to the Salvation Army in Conroe once a month to give basic health care attention to anyone in need. They are accompanied by faculty members who are licensed physicians.

 

 

Courtney Sumaya-Herrera

Life may have started in Northern California for this Bearkat, but her heart is in Texas. As a first-generation college student and an ag teacher hopeful, Courtney Herrera couldn’t wait to get to Texas after graduating high school. Herrera also shared her story on The College Tour, representing the College of Agriculture and her experience working on Gibbs Ranch. Deeded to SHSU in 1993, it is an 1800-acre working ranch with cattle and goats—and, for many ag students, it is a second home.

With a major in interdisciplinary agriculture and a minor in secondary education, Herrera hopes to share her agricultural knowledge and experiences with young minds someday.

“Agriculture has always been near and dear to my heart,” said Herrera. “My favorite memories as a young child are from helping out on the ranch back home. In high school, I was active in FFA, showed livestock, and earned the highest FFA degree possible – the American degree.”

In the future, she hopes her varied experience in agriculture can help find common ground between Texas and her home state of California.

“While political views between California and Texas may be different, they are very similar in the ag sector. My thought was that if I can thrive in my community back home, it would be great to experience another form of agriculture. Then if I do go home, I can bring that aspect to bridge the two sides,” said Herrera. “Even though the states have two different atmospheres, we are actually all together when it comes to the industry.”

Along with a basic love for agriculture, Herrera loves SHSU’s dedication to using new innovative technology to get young people more involved in the industry and the personal connection she has with students and faculty.

“Everyone here is so supportive–they won’t let you quit if you get discouraged, but rather tell you ‘keep going’,” said Herrera. “I gained a second family here at SHSU.”

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Red Steagall https://postcardslive.com/red-steagall/?utm_source=rss&utm_medium=rss&utm_campaign=red-steagall Wed, 01 Sep 2021 14:11:59 +0000 https://www.postcardslive.com/?p=25296 There are people you meet in life who leave a lasting impression. Russell “Red” Steagall will always be one for me.  Yes, he is a famous singer, songwriter, actor, producer, […]

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Red Steagall

There are people you meet in life who leave a lasting impression. Russell “Red” Steagall will always be one for me. 

Yes, he is a famous singer, songwriter, actor, producer, radio personality, TV host, and philanthropist. He is also a gentleman…a cowboy…a humble man who is as comfortable outdoors as he is in the fanciest gatherings Los Angeles and Nashville have to offer. He makes others comfortable in his presence…from U.S. Presidents to small-town publishers. We visited Mr. Steagall on his 75-acre ranch in north Texas, a place he describes as “not big enough to make a living on, and too big to keep.” I am proud to have visited with this American treasure and delighted to share that conversation with you.

First things first…I understand you had Covid. How are you doing?
I’m back pretty close to where I was before. The main problem has been short-term memory – it’s not that I forget things, I just can’t recall them! I don’t have the stamina I had, but that’s coming back.

For readers who may not know you, how would you describe yourself?Well, that’s a tough question. Mother always taught me if you talk about yourself, you’re bragging, and bragging is not gentlemanly. I like to think I live the best kind of life the Lord wants me to live. I’ve grown up a very spiritual person and still am.  I love the outdoors. I love people. I love the lifestyle I lead, and I am happy. I’m confident with who I am.

Tell us a little about your childhood and growing up.
My family is from Montague County, up towards Bowie, for four generations on both sides. When I was three, there weren’t any jobs left in Montague County, and Daddy moved to the oilfield. I grew up on that riverbed on the south side of the Canadian River in a little town called Sanford. I loved to hunt arrowheads and fossils, track coons, and run coyotes with a one-eyed greyhound. I would run coons at night with coon dogs. I lived outdoors. If we didn’t have a football game on Friday afternoon at Phillips High School, I would disappear, and Mother would see me Sunday night.

That old river is about a mile wide there, and the bluffs are about 300 feet high. I remember sitting on those big rocks on that bluff and letting my imagination run wild. One day I would be going up the trail with Charlie Goodnight, and the next day I would be fighting the white eyes with Quanah. I could see those teepees as if they were absolutely there.

You write that way. Readers are able to envision themselves there when reading your writing. That is a gift.
Well, thank you. I think that time period in my life greatly influenced what I write and the way I see life today. That was a time when your parents would say, “Quit daydreaming and get your mind on what you need to do.” But daydreaming is what creates activity in artistic endeavors. If you can’t see something in your mind and present it the way you see it, it’s not artistic–you’re just repeating what someone else has done. I’m glad to say I was a daydreamer.

So you are a cowboy, a poet, musician, producer, an actor, a TV and radio personality.  You are truly a jack of all trades.
Master of none, I reckon (chuckling). I’ve had a very interesting life. I can’t imagine changing one thing that would make it better. It might make it different, but it wouldn’t make it better.

If you had to prioritize, are there any of those things you like most of all?
That’s a pretty tough question, because I really enjoy what I do and what I have done. I love being a writer, both a poet and a songwriter. I love to perform. I really enjoy the medium of television. I’ve been in radio for 27 years with Cowboy Corner, so I like that a lot!


How often do you do that?
I do four shows a month at one time, but I go out in the field to get the interviews. I might be gone sometimes for a week or ten days doing interviews in a particular locality where I know there are people who either have an interest or are part of the western lifestyle. It might be an actor, a singer, a historian, a cowboy, might be a ranch owner. It’s somebody who has a vested interest in the preservation and perpetuation of the western lifestyle.


Why is it so important to you to make sure people understand and hold on to that western history and cowboy culture?

There are three things we primarily love and preserve: the history, the traditions, and the set of values. The values that evolved in an agrarian society are very important to us all getting along, and those came from two sources. First of all, from the Good Book. We learned ‘em sitting on the front row at a regular church meeting, or we were taught at home by our parents that this is a set of values that we need to live by. This is what makes you a good person.

Second, in an agrarian society, there was a time we had to depend on other people for survival, because we were way out in the wilderness by ourselves. It might be ten miles to the next neighbor. We depended on each other, and if you’re going to depend on somebody and need them to depend on you, then you’ve got to be the right person. I’ve said a jillion times, and I’ll continue to say–the most important things any of us can live by are honesty, integrity, loyalty, work ethic, dedication to family, conviction about our belief in God, and practicing common decency and respect for our fellow man every day we live. What makes this a harmonious society is adhering to that set of values. This is not anything I came up with. These are the things my mother taught me and things I have found in over eight decades I have lived. If you don’t practice these things, you create an adverse attitude towards yourself and whatever you are trying to accomplish. I think that’s the most important thing. In the western lifestyle, especially in the big ranches, we still experience that set of values, and it is purity. It is used every day. It’s not something somebody talks about; it’s something they DO every day. So, it’s not gone; it’s just that, when we moved to the cities, we became a “me” society instead of a “we” society.


Tell us how you went from an agriculture degree at West Texas State University to producing music in Hollywood?  That seems like a pretty good jump!
(Chuckling). Well, I’ve thought about that a lot! I spent four years of my life studying agriculture. I wanted to be a large animal vet, so pre-vet was the first direction I went, but when I was 15, I lost the use of my left shoulder to polio. I had use of my hand, but no use of the arm, so I couldn’t be a large animal vet–and I didn’t want to work on dogs and cats. I did end up getting an appointment to vet school, but by the time I got a bachelor’s degree, I didn’t want to go to school anymore.  I wanted to get a job. I wanted to own a car.  I had never owned a car until then.  I worked day and night to put myself through college. I didn’t think it was anybody else’s responsibility but mine. So, I worked at it, and I’m proud of that degree. I’m proud of the effort it took to accomplish one of my goals. 

After polio, I used the mandolin to regain the strength in the fingers of my left hand, because it was just like spaghetti. I had no use of them at all.  I would practice for days on end, strengthening each finger so it wouldn’t mute the strings when I played. I went from there to a guitar. When I went off to college, had a little band and really liked it. I don’t know that I thought about a career in the music business, but I knew it was something I really liked.

I got a degree in agriculture and spent five years in agricultural chemistry after college. I had some friends who were superstars in the 50s, Buddy Knox and the Rhythm Orchids. They really invented Rockabilly Music. They had seven records in a row that reached #1 in the national charts and sold a million copies. Buddy got drafted into the Korean War, Jimmy Bowen went to Hollywood, and Don Lanier came back to Amarillo.  Don and I had grown up together, so we were old friends. They and Buddy Holly and a group called The Teen Kings from Plainview all went to Norman Petty’s studio and cut records, and they were kind of our heroes.  So, I kinda changed my mind about writing songs and being a singer. When Jimmy started having some success in Hollywood as a producer, Donnie went out to help him and be part of what he was doing. They called me and asked me if I would come to Hollywood. I was with the ag division of Shamrock Oil and Gas Corporation, had a good job, and could have stayed there the rest of my life and retired at 65; but I was single and had just bought me a new car, so I hooked a 5×7 U-Haul trailer behind it and went to California.

It was a culture shock. I kept seeing opportunities I could be involved in. Donnie and I wrote a song I got Ray Charles to record in ’66 called Here We Go Again. To date, it has been recorded 63 times by different artists. So, it’s almost been a career all its own. By the time ’69 rolled around and I started recording, I’d had 60 of my songs recorded by other people. So, I was doing pretty good as a songwriter. I’d had three #1 country records by other artists. I started recording, but I stayed in the music publishing business, still am, because that was how I made my living…plugging songs.

In January 1969, the record I had recorded for Capitol went into the top 10. It was called Party Dolls and Wine. I’ve had 26 records in a row in the national charts, and I’ve had them all over the world…met people in all walks of life. I like to say that I’ve lived six lifetimes, and I believe it–because I’ve done EVERYTHING that I wanted to do. 

The thing that has been important to me in later years is how did I use that agricultural degree in what I’m doing now? The answer is, I write about those people. I write about the farmers and ranchers; I write about people who love the image of the West, the values, tradition and heritage that evolves from that; and I find that even today, in my television show, my radio show, and my concerts, the people that really like what I do are still of an agricultural background–maybe not their generation, but their parents’ or their grandparents’ generation – something that they learned to love.  I didn’t forsake that degree. It all ties together.

Not counting all the songs you’ve written for others, what has been the biggest hit you recorded?
Lone Star Beer and Bob Wills Music, and the one next to that was a western swing version of Somewhere My Love in 1973. 


Other than your biggest hit, what is your personal favorite?
That’s a tough question. I don’t know that I have a favorite. Some of the records I am most proud of didn’t make the top 10, but I love storyline songs. I love the things that I am writing now and have been for the last 30 years – the cowboy songs. I love to tell cowboy stories.

Let’s shift just a little bit.  In addition to your own celebrity, there are others you have had a hand in helping.  One was a little redhead singing the national anthem at a rodeo?
Reba (McEntire) is probably the only person I have really had any influence in their career.

Glenn Sutton and I loved trains, and we wanted to ride a train and write songs. On a lark, I wrote the president of Rock Island Railways, asking if we could ride a caboose; he wrote back and agreed. We flew into Amarillo, got on that train, and wound up in Memphis. We couldn’t write, because we couldn’t stay awake! The sound and the rhythm of that train put us to sleep. We would sit in those little bay windows on either side, watching what was going by, and it would just put us to sleep. We only wrote one song on that trip, I’m Not Your Kind of Girl.

Reba just blew me away when I heard her sing that night at the National Finals in December 1974.  Her mother brought her up to the Justin® room where we were picking and singing, and she sat down beside me and started singing harmony. She just blew me away because she had perfect tone and total control. I had been wondering what I was going to do about a demo for that song Glenn and I wrote, so I said, “Why don’t you come to Nashville, and we’ll cut a demo and see what we can get done?” Her mother brought her in January, and we cut that song and one other. We pitched that demo all over Nashville for months, and nobody wanted another girl singer.  At the time, girls didn’t sell records, and they didn’t sell tickets. If a girl was really going to sell and reach another level, they had to be coupled with a guy. That’s the reason you had so many acts like Johnny and June, George and Tammy, and Conway and Loretta. Reba changed all that.  

A guy who was working for me in the publishing company had taken the demo over to Mercury for Glenn Keener to listen to the songs. Glenn wasn’t interested in the songs, but he heard something in Reba’s voice he didn’t hear often that made him want to sign her. We finally got her a contract with Mercury in October. Reba did things for girl singers that nobody had ever done before. She made the difference for the next girl singer coming down the line, including Dolly. Her shows were different; they weren’t just standing there singing in front of a microphone. The other thing she did was television. In my day, the only way you knew what a singer looked like was to buy a ticket and go to a concert. You could see Reba on television, and there was a way for the public to fall in love with her. I am really proud of her for doing that. 


What’s a typical day like for you?

I’m living with the love of my life and the only person I have ever wanted to live with. My wife Gail and I have been married 44 years. Our assistant Debbie Bowman has been working for us for 44 years. I don’t get by with anything because I’ve had “two wives” for 44 years.

A typical day depends on whether or not we’ve got a pandemic going on!  Prior to the pandemic, I was on the road 200-220 days a year doing different things. I do quite a few charity events. I can’t do as many as I used to, but I have two or three this year. I’m proud to do those. I spend more time right now in this office than I ever have before, and when things are opening up, I won’t be here then! I love to travel, I love to play for people in different walks of life, to try to convince them the cowboy way of life is the best.


Speaking of that, I love your poem “
The Fence Me and Shorty Built.
I spent five summers on my uncle’s farm in northwestern Iowa. I learned more in those five summers than I have in the rest of my life put together. He taught me how to do things RIGHT. He trained me to make sure you do it right the first time, so you don’t have to do it again. And that’s where that poem came from. (See Creative Corner on pg. 56) I remember, we were driving down the road once, and he looked at a neighbor’s field and said to himself, “I’d give anything in the world if he would make those boys plow those rows straight.”  I heard him and said, “What difference does it make, Uncle Floyd? The corn’s in the ground; it’s going to grow anyhow.” He turned around to me, and I will never forget that look. He said, “It makes a difference to ME. I’m a farmer. This is what I do, and I want to be the best at what I do.”

Uncle Floyd also knew I loved John Deere tractors, and I loved to read, so he bought me a book on John Deere. There is one line in that book that stuck in my mind, and it does to this day. In 1856, John Deere said, “I will never put my name on a product that is not as good as the best in me.” I’ve never forgotten that.

It’s pretty hard to be that critical of yourself. When you’re writing a storyline song or poem, and you have a line you really like, but it doesn’t quite fit…you can’t get married to it. You can either store it somewhere or throw it away, but if it doesn’t fit, don’t use it! It’s a matter of discipline and being proud of what you do. When you finish a product, like finishing a fence, you turn around and look back down that fence line and say, “That’s a good job. I’m proud of that.”

This fall will mark the 30th Annual Red Steagall Cowboy Gathering and Western Swing Festival in Fort Worth. How did it start?
The ones that kicked all this off were a group of folklorists in Utah. It was Hal Cannon’s idea, and Hal is a great-great-grandson of Brigham Young. They decided the place to do it was in Elko, Nevada because of the big ranches out there, where they could get a lot of cowboys and people who were artistically inclined together, and it was very successful. A group of us here decided we needed to have one in Fort Worth, because we had the perfect location for it at The Stockyards. It began as a function of the Texas A&M Extension Service. There were four of us that started it 31 years ago: Jalynn Burkett, John South, Don Edwards, and me. The first year, we had 11 inches of rain that weekend, but we had enough sponsor dollars to bail us out, so we never lost a dime. Three years later, Jalynn and John both retired, so we converted it to a private venture. It’s been very successful.

There are a hug variety of different activities from chuck wagon camps to dances to poetry and shopping…it looks like a lot of fun!

(FOR SIDEBAR – SCHEDULE INFO AT REDSTEAGALLCOWBOYGATHERING.COM. OCT 22-24, 2021- sending April an image that might work)

We do have a good time. People come from all over the United States. We’ve also had groups from France and several from England come.

What is up next for you?
I’m very proud to have been the honorary chairman for 23 years for the Round-up for Rehab for the West Texas Rehabilitation Center.  I’ll spend a lot of time out there this fall, then do their telethon in January.

In November, I’ll save about three weeks to work on filming television shows for next year.  I like to have them done before the first of the year. That way, if I need a show, I don’t have to worry about the weather and getting locked in somewhere when I need to be somewhere else.


What’s the most important lesson you think you’ve learned?

Buck Ramsey and I went to college together and were dear friends. In his poem Anthem, he wrote, “…we are what we do, and not the stuff we lay claim to.” That’s an important one.

Another comes from poet Edgar A. Guest who wrote, “I’d rather see a sermon than hear one any day…” I think about that all the time. How does that look? What if a young kid is watching me or listening to me…how are they going to take that? Will it start ‘em down the wrong trail, or is there a way I could stop them?

After I had polio, I was devastated, because all I wanted to do was play football for the Phillips Blackhawks, then go to Texas A&M and play for Coach Bryant. Mother said, “Here’s a verse out of this poem I want you to read.” It was also from Edgar A. Guest.

Somebody said that it couldn’t be done
          But he with a chuckle replied
That “maybe it couldn’t,” but he would be one
          Who wouldn’t say so till he’d tried.
So he buckled right in with the trace of a grin…
          Without any doubting or quiddit,
He started to sing as he tackled the thing
          That couldn’t be done, and he did it.

When I get into a situation that’s uncomfortable, I try to think, “Are you doing the best you can do? Is that the best way to go for you? Are you willing to sacrifice whatever it takes to reach the goal you are trying to achieve by going in that direction, or do you need to abandon that trail and find the one that might be a little rockier or a little bit steeper, but is the right one?”

I’m not preaching to anyone. That’s just the way I live and the things that have influenced me, and most of them are very simple.

A simple philosophy…a powerful life…an influence and example to more than he will ever know. Thank you, Mr. Steagall. It was an honor.

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